In 1929, American Lee Miller moved to Paris to become a
photographer. She was not stranger to cameras; she had a career as a model of
Vogue, and her father used her as a model from toddlerhood on. But she doesn’t
want to be a model anymore; she wants to be a creator of art, rather than
someone to be gazed upon. These are the days of the Dada and Surrealist
movements, of Picasso and Cocteau. She hasn’t been there long before she meets the
much older Man Ray and they soon develop a relationship that is sexual,
emotional, creative, and business. He teaches her the art and tricks of
photography, while she takes care of the business of his studio. He nurtures
her talent, but is very possessive, even, at one point, claiming a technique
she developed as his own. She is possessive in some ways, too; she was obsessed
with Kiki de Montparnasse, Ray’s ex who had posed nude many times.
Miller is not all about Ray, though. She was a war photographer
during WW 2, going into dangerous areas; this is the part of her life she is
most renowned for. She later became a 5 star chef and a food writer for Vogue-
and also an alcoholic. This is an engrossing story of a woman trying to make it
in the world on her own considerable talents, rather than as the wife or
mistress of a man. Along with the standards of the time that dismissed women as
trivial, she had to fight to overcome having had a pretty creepy father and a
childhood rape. I loved the eccentric characters that she knew during the 30s,
and the descriptions of the parties and dinners. Miller and Ray are extremely interesting
characters, but frequently unlikable ones. The writing is lovely. Four stars.
I want to read this! Preferably with a glass of absenthe
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