A Garden of Earthly Delights, by Joyce Carol Oates. Vanguard Press, 1966

While I’ve certainly not read all of Joyce Carol Oates’s work, I’d be willing to say that her work isn’t joyous. And this book takes the lack of joy- the lack to *any* form of happiness- to nose bleeding heights.

Clara is born into misery. Her parents are migrant fruit pickers in the Great Depression. They own nothing and live in shacks on the farms for a few weeks before moving on. They can never make enough to escape this life. Her father copes by drinking, fighting, beating his wife and kids (except for Clara), and committing adultery. Constant pregnancy eventually kills her mother. This doesn’t change much; Clara has been taking care of the younger siblings for years. One evening in ‘town’ she meets an unusual man- one who doesn’t want to have sex with her. She stays out late, and when she returns to her shack, her father brutally beats her. She runs away, and with this man’s help, starts a new life with a room of her own, a bed of her own, and a job at a dime store. This is luxury beyond anything she’s ever known.

Her life becomes one of securing her place in the world. In her quest she loses friends and is scorned by all, but gains financial security and doesn’t care a bit. All her life, she is defined by both men- her father, her boyfriend, her husband, her son- and by her lust for *things*; clothing, furniture, jewelry. In a humanizing touch, she is also an avid gardener, reveling in planting and weeding and pruning, even after she has enough money that she could afford to hire someone. It seems to be her single creative outlet or interest. She’s not a bad person, despite what the townspeople think; she’s just very driven to never be like her parents. She learns to read on her own, and watches other people to learn how to behave.

The prose, despite the grim subject especially in the first part of the book, is brilliant to read. The brutal lives the migrants are living comes vividly, frighteningly, alive. Clara is mostly a sympathetic character. Of course she makes mistakes, some of which have horrible consequences, but she does the best she can in a bad situation. This could have been a depressing read, but for the most part it’s not; it’s oddly uplifting to see Clara make a life for herself and her son.

Note: I read the original 1966 version, not the updated one. 

Vinegar Girl, by Anne Tyler. Hogarth Shakespeare, 2016

In this contemporary retelling of Shakespeare’s “The Taming of the Shrew”, Kate Battista is less shrew than just someone who doesn’t quite fit into everyday society. Twenty-nine years old, she keeps house for her father and brings up her fifteen year old airhead sister, Bunny. Thrown out of college for telling a professor his description of photosynthesis was half-assed, she works as a classroom aid at a preschool, where the kids love her but the parents and teachers not so much. She is forthright with her opinions, never mean but just sort of missing the social niceties.  Her father is a typical absent minded scientist who is near to a big breakthrough on autoimmune diseases, but he has a problem: his brilliant assistant is about at the end of his work visa and will soon have to leave the country. His idea, of course, is for Kate-who he tells bluntly isn’t going to find a husband on her own anyway- to marry the assistant, Pyotr. Needless to say, this doesn’t go over well. Pyotr does his best to ingratiate himself to Kate, but English is a second language for him and despite being here for three years, American society baffles him. Like Kate, he has no filters and tells people what he thinks. Kate, Pyotr, and Dr. Battista all seem a bit Aspergean in their lack of social skills.

Thankfully, this isn’t a rom/com but an examination of men and women, social conventions, and how people are valued by others. It is light in tone but with a hard edge running under the surface. There were a few surprises, but the best one was Bunny, who turns out to be not the airhead she acts like. This was a light, enjoyable read, and I was surprised to find that Tyler not only moved the story to modern day, but changed the tale to fit modern day women. Not Tyler’s best work by far, but nice.

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I received this book free from the Library Thing Early Readers program. 

Neither of these things influenced my review.