Nine horror stories are presented in this anthology, two of
them excerpts from novels to come. They range from human horror to ghost
hunters, from fantasy to science gone wrong, from a house that’s haunted in a
very different way to witchcraft, and one that I never figured out if it was a
werewolf or a zombie story. The scary factor will vary according to what the
reader’s particular psychological makeup is like; for me, none were creepy
crawly but all were well written. The ghost hunter stories I feel would make a
good TV series, while “This Dark Magic” has enough twists and false leads to
keep things very interesting. The formatting has some rather unique problems,
which are annoying but not enough to make me stop reading. A quick and fun read
for horror fans.
Friday, December 28, 2012
Annabel, by Kathleen Winter. Black Cat, 2012
When a baby is born, the first question anyone asks is “Boy
or girl?” It is accepted that gender is the most important thing about the
child, before questions like “Healthy?””All limbs and digits present?” or
“Brain inside skull properly?” No, the shape of the genitals is the most
important thing to society.
In 1968, in a barely populated area of Labrador,
a baby is born to Jacinta and Treadway Blake. Born in the bathtub with three
neighbor women in attendance, only one person, Thomasina, notices that the
child is not quite the same as most babies. This child has both penis and
vagina. With the exception of the parents and Thomasina, no one in the area
knows the child’s secret. Treadway names the baby Wayne, declares it will be
raised as a boy, and not long after, the vagina is sewn shut. Treadway, a man
who spends the better part of the year running trap lines in the wild forests
of Labrador and lives a basic, homesteading life, goes out of his way to teach
Wayne to be a man of the same sort: tying knots, trapping, reading sign,
skinning and preserving pelts, snowmobiling. He fears any sign of femininity in
Wayne; the facts that the child’s best- only- same age friend is a girl and
that s/he prefers reading and drawing to rebuilding engines provokes Treadway
to doing something that severs the friendship between Wayne and the friend. What
Treadway doesn’t know is that for several years, Thomasina, as Wayne’s
school teacher, nurtured the interests that weren’t “male” and provided a safe
person for Wayne to talk to- and at
one point, saves Wayne’s life.
Treadway is a decent man. He is not mean or nasty or even a
misogynist. He simply knows that life will be easier for Wayne
if there is no question as to gender. And life is easier for men than for
women. Still, I had a very hard time empathizing with Treadway. Despite his
love for Wayne, he cannot see
gender as anything other than a strict binary. Jacinta is a dim character, not
fully realized. Thomasina is the liveliest of the adults. Almost too good to be
true, she is open to most everything in a way that the other residents aren’t.
The location itself is a character; it is brought up
frequently and shapes the people and their lives. It’s almost like another book
is inserted into Annabel’s tale; there is the story of Wayne/Annabel, and there
is the story of the land, and, to a degree, Treadway’s relationship with it.
Sometimes the stories intersect; most often they do not. The story of the land
is achingly beautiful, but I found myself wondering at times why it was in that
book.
This is Wayne/Annabel’s coming of age story, but it’s also a
late coming of age for Treadwell, Jacinta, and Thomasina. Wayne/Annabel is not
a girl in a boy’s body, as some seem to think, but both male/female in both
body and soul, and this is still a hard situation to live in today; think how
hard it would have been in the 1970s, especially in a rural area.
The writing itself is beautiful, especially in the
descriptive passages. But the characters could have used more work, and the
book could have lost some of its size and gained focus. When considered as a
first novel, though,, it’s a stupendous achievement, and I can’t wait to see
what Winter does next.
Thursday, December 20, 2012
The Pleasures of Men, by Kate Williams. Hyperion 2012
Set in 1840’s London,
‘The Pleasures of Men’ tells the tale of orphaned nineteen year old Catherine
Sorgeiul after she is taken in by her uncle. Uncle lives in genteel poverty
amidst books and anthropological artifacts. Encouraged to not think about the
tragedies of her past that led her to be institutionalized for a time, but
given nothing to do that interests her, she becomes obsessed with the Man of
Crows, a serial killer who is targeting young women. To try and get a handle on
how he thinks, she begins to write about the victims without realizing that she
is drawing bad intentions to herself. Soon she finds herself unable to trust
anyone.
The atmosphere is wonderfully created- the heat of the city
in summer, the claustrophobic life Catherine lives, the fear, and the
uncertainty as to what is real and what isn’t – and made me feel like I was
there. It was murky and shadowy, as I imagine Catherine’s mind must have been. As
more and more peculiar discoveries are made that don’t seem to fit together
quite right, the mystery deepens instead of being solved.
However, the story changes point of view and point in time
frequently, from Catherine to the several girls who are murdered to, finally,
the murderer. This made it very hard to follow. Most of the characters were
poorly developed; perhaps it was to allow us to see that Catherine wasn’t
really interested in them and just saw their surface, but it made it hard for
me to care about them. Catherine herself, despite her situation, was hard to
care for. The story seemed to lack a clear focus, and in the end it left me
disappointed.
Labels:
historical fiction,
serial killer,
Victorian era,
women
Wednesday, December 19, 2012
Shadow Syndromes: The Mild Forms of Major Mental Disorders That Sabotage Us, by John Ratey, M.D. & Catherine Johnson Ph.D. Bantam Books 1998
The title tells us accurately what this book is about: mild
versions of mental illnesses. The authors state- and I believe them- that a
mental disorder is not a discrete box to fit people into; mental disorders
exist on a continuum, from almost unnoticeable to full blown psychosis (or, in
the case of autism, Kanner’s syndrome). They examine mild forms of mania, ADHD,
depression, OCD, anger, anxiety and autism, and say “If mild forms of mental
disorders are making you (and those around you) miserable, you should seek
treatment and be able to be happy”. They also point out that some of these mild
disorders can confer advantages as well as problems: a person with hypomania
can get a lot of things done; people with mild autism can focus incredibly
well. Obviously, not all shadow syndromes have good sides; constantly being
sad, lacking emotions, being angry all the time, perpetual worrying and having
obsessions are not good things.
The authors are able to show that different mental disorders
are caused by variations in brain chemistry; the neurotransmitters dopamine,
serotonin, and norepinephrine in various amounts create different effects.
Antidepressants, tranquilizers, lithium and other psychiatric meds bring the
neurotransmitters back into balance. Not that the authors feel everyone with a
shadow syndrome needs to go on meds; their basic prescription for brain health
is enough exercise, eating healthy, proper sleep, stress relieving techniques
and therapy.
I think this is a very good book that makes a very valuable
point about mental disorders, that mild forms are being overlooked and the
sufferer being left unhappy. I would love to see a newer version; in fourteen
years a lot more has become known about the brain.
Labels:
autism,
mental illness,
psychiatry,
psychology
Wednesday, December 12, 2012
The White Forest, by Adam McOmber. Touchstone, 2012
This story, set in 1850s England ,
starts out seeming to be a simple historical novel, perhaps a historical
romance. We have two young women and a young man who are best friends, but who,
in their early twenties, are feeling attraction for each other. In a rural area
just outside London , they are cut
off from most people and have spent most of their free time together for years.
Soon- very soon- fantastical elements enter the story. The narrator, Jane
Silverlake, has an odd power- she hears objects. Everything makes sounds. And
when in direct contact with her skin, others can hear these strange sounds. Her
friends, Maddy and Nathan, are aware of this.
The novel jumps around in time a lot, frequently going back
over the same time span with added information. The story revolves around the
disappearance of Nathan and the search for him; no one knows if he is dead or
alive. He had become obsessed with a cult that seeks a paradise called the
Empyrean- and thinks Jane can help them get there. The leader of the cult will
stop at nothing to achieve his paradise; Maddy and Jane will stop at nothing to
find Nathan. There is more to Jane’s abilities than hearing the souls of
objects and this may be the key to Nathan’s fate. As images of a chthonic
goddess start appearing around London ,
Jane tries to figure out her powers
This is a very dark story. The first layer is the simple one
of friends roaming the woods; the further the novel goes, the deeper we dig
into their psyches and emotions, as well as into the backstory of Nathan’s
interest in the cult. At the deepest layer, we find that nothing is as we
thought it was, and the ended totally surprised me. Well crafted and very
detailed, this book held my attention all the way.
Labels:
cults,
fantasy,
historical fiction,
relationships,
Victorian era
Sunday, December 9, 2012
Habits of the House, by Fay Weldon. St. Martin’s Press, 2012
Ever since reading (and watching the TV series) ‘The Forsyte
Saga’ in my teens I’ve had a passion for late Victorian/Edwardian British
stories. I was very excited to receive a copy of ‘Habits of the House’ set in
1899.
The story revolves around the household of the Earl of
Dilberne. He himself is deeply in debt, from both business ventures gone badly
and from trying to keep up with his friend, the spendthrift Price of Wales; his
wife, Isobel, daughter of a tradesman who brought money to the marriage, spends
on clothing and dinners. His daughter, Rosina, spends her time going to
lectures of the leftist kind and despises the moneyed class while enjoying the
advantages it offers. His son and heir Arthur cares nothing for business or
politics, freely spending on clothing, his mistress, and his steam powered
automobiles. When the latest venture, a gold mine in Africa ,
is taken and flooded by the Boers, bankruptcy looms. The earl and his lady’s
reaction to this is that their children (in their 20s) must marry for money. Everyone
has their own opinion on how this should be accomplished, including the staff
of servants who have a surprising influence on the lives of their employers.
What follows is a tangled web of greed, bigotry, and lies. There
are no blameless characters here, but neither are there any monsters. These are
all just flawed human beings, most of whom are fairly decent at heart. They are
muddling through their lives, regretting their pasts, and trying to puzzle out
what kind of future the want. These are not particularly deep characters; they
are rather sketchy.
I enjoyed the book. Despite the unusual layout – a lot of
very short chapters, each devoted to a character’s actions in a short period of
time- sometimes as little as an hour- it reads fast. The entire book takes
place over the span of a little less than two months- but the first 86 pages is
devoted to a single day. At the beginning I did have trouble at times figuring
out which character was which. There is enough description to set the reader
firmly in the era. Standing outside of the time, the author skewers the manners
and prejudices of the time. Is it great literature? No. Is it good enough that
I’ll be seeking out the next two volumes? Yes.
Labels:
class structure,
family drama,
satire,
Victorian era
Do Cats Always Land on Their Feet? By Marty Becker, DVM & Gina Spadafori. Health Communications, Inc. 2006
An alternate title for this book could be “Trivial Pursuit:
Cats Edition”. All those weird little things cats do get explained here: what
exactly is a hairball, why do cats eyes glow at night (it’s not really lasers),
who invented kitty litter, why they knead on you, why they pee on your pillow
when you go away for a few days. Each entry is short; one or two pages. It’s a
quick, fun read for cat lovers, and the information is solid.
Thursday, December 6, 2012
Whole Health for Happy Cats: A Guide to Keeping Your Cat Naturally Healthy, Happy and Well-Fed, by Sandy Arora. Quarry Books, 2006
Sandy Arora has been researching and working with holistic
cat health for eight years, running a web site and email list devoted to the
subject. Her book provides her reasoning behind using a raw food diet for cats,
and recipes to do so, as well as hints for transitioning cats to the raw food
diet. She’s had remarkable success with her system, with chronically ill cats
regaining health. Sadly, the recommended foods (the ideal cat diet doesn’t
include easily available meats like pork & beef) are expensive and
frequently difficult to find- emu, rabbit, pheasant and quail aren’t carried by
most supermarkets, although one can raise mice pretty easily. Thankfully, she
realizes that the ideal isn’t reachable by most of us, and tells us what to
look for- and what to look out for- in commercial foods. There is also good
information on litter boxes, dental health, vet care, etc. Where she loses me
is when she reaches the part about homeopathic remedies for symptoms that could
signal serious illness, although she does recommend a trip to the vet for
symptoms like blood in the stool.
A good, solid book for an introduction to a raw/natural diet
for cats, but do research outside the book for medical issues.
Tuesday, December 4, 2012
Beyond Black, by Hilary Mantel. Henry Hold & Co, 2005
This novel is both horrifying and maliciously funny. Alison
–Al- Hart, overweight medium, is making a good living, giving private readings
and doing psychic fairs, but is always alone- at least, where living people are
concerned. She can never escape from the dead, who follow her and bother her
constantly. And here’s the thing: people don’t get any smarter or nicer when
they die. They don’t undergo any spiritual awakening. If they were nasty and
mean in life, that’s how they are in death. Al, survivor of a horrific
childhood of poverty and abuse, finds she has an old childhood tormentor as her
spirit guide. He swears, drinks, gropes women, and sits around masturbating.
Only Al can see him, but that’s bad enough.
When fate brings bitter, recently divorced Colette her way,
Al hires her as a manager/partner. Colette takes charge of Al’s finances and
schedule, and they find themselves enjoying a moderate success. Al jumps at her
chance to live in a place where no one has lived before, where she hopes she will
encounter no spirits. But life cannot be nice for Al; nastiness follows her
even into a newly built subdivision (which has its own special brand of horror).
Even though she tries to do good things and think good thoughts, she is tainted
by her past. She attracts badness to herself; she must come to terms with her
past to rid herself of it.
The book is brilliant, and very dark. Mantel’s wit cuts like
a knife through the middle class, the lowest of the lower class, the way heavy
people are treated, real estate developers and New Age believers. This is not a
cheery type of funny book; the title tells us how black the humor is. This is
very unlike Mantel’s Cromwell books, and just as good in its own way.
Labels:
black humor,
child abuse,
fiction,
satire,
spiritualism
Saturday, December 1, 2012
Pyramids, by Terry Pratchett. Harper, 1989
In ‘Pyramids’, master storyteller and satirist takes on the
funeral industry, philosophy, and more. Teppic, heir to the throne of
Djelibeybi (which bears more than a passing resemblance to ancient Egypt ),
has just passed his final exam to become a member of the assassin’s guild in
Ankh-Morpork when his father dies in a bit of madness. He returns home to take
on his responsibility, for which he is totally unprepared. Even though he is
king and considered a god, he finds he has no say in anything at all; because
of the high priest, his is merely a ceremonial position. The story is no mere
court intrigue, though; the Djelibeybian custom of building a bigger, more
impressive pyramid for each kingly generation’s resting spot creates havoc when
the new pyramid proves to be so large that it creates a warp in space and time.
Teppic, with the aid of a handmaid and Discworld’s greatest mathematician (a
camel named You Bastard) must put things to rights before Djelibeybi is
destroyed by gods who have suddenly manifested on the physical realm and before
war breaks out between the countries on either side of where Djelibeybi used to
be.
While certainly amusing (the assassin’s final exam is
particularly good), this isn’t one of Pratchett’s stronger stories. It’s
disjointed and a lot of things happen that don’t advance the story- the gods
becoming physical and apparently witless being one of the worst. The characters
aren’t as vivid as in most Pratchett stories. Teppic and Ptraci are likable but
not compelling. The best characters are the dead king and Dios, the power mad
high priest who turns out to be motivated by good. But still, a not so great
story by Terry Pratchett is better than a lot of some authors best stories, so
it’s certainly worth the read.
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